Perverted Reality
In April, her ex-husband David jogged across the high-school parking lot to tell her she was getting fat. “Wait up. I don’t mean like fat fat.” His hand loosely circled her upper arm and she yanked it free. “Be careful,” he called. “There’s an obesity epidemic going on.”
When she finally told Freddie
she was pregnant, he whooped at such great luck. He smiled his irresistible smile without let up. “A boy! My son!” He lost his suave hotel-manager act and acted like a teenager, pounding her shoulders, slapping her high-five. “Is it okay to tell people? You’re not just playing me, Amanda? We’re getting married and everything?”
[Click here to read the first episode, or here to read the previous one.]
After phoning his mom and talking to his two younger brothers, Freddie arranged a meeting early the next morning: his family, Amanda, the girls, and him. Then he ordered a bottle of Champagne and finished it off waiting for his friends Rick, Mark, Max, and Brian to arrive. “Party time!”
Amanda swam in the hotel pool with the girls. They showered, watched TV, and slept. Freddie and his friends played poker all night. He woke her in the morning, wondering about a blood test to prove the baby was his. “Mark’s idea. Because, we both used birth control.”
“Do you want to wait, then, before I meet your mom?”
Hell, no. Freddie couldn’t wait. Joyce Berger, a city social worker, pulled Amanda into a cramped, messy kitchen. “You! You’re the answer to my prayers. Now Fred’s got no choice but to grow up.”
After meeting Freddie’s high-school drop-out brothers, Amanda decided to take a slew of blood tests. Not because Freddie and his family worried her genetically. Or, not entirely. But rather, she and Freddie hardly knew each other. He drank too much, dressed too well, and played video games in a trance. A paternity test would resolve his doubts, even if it couldn’t off-set hers.
Still, she debated marrying him, almost nonstop. Was convention motivating her? The girls? Even if she supposed they might serve as factors, they weren’t good reasons.
Above all, however, Amanda didn’t love Freddie. She loved Walter, who she believed, rationally or not, had consigned her to this fate.
Why was it that Walter said, “Don’t marry Freddie,” more adamantly than he’d ever said, “I love you, Amanda”?
Anytime she complained that he didn’t return her fervor, Walter would say, “But, you know I love you, Amanda. You absolutely know it. So why keep saying it?”
“I don’t know, Walter. Is it really so obvious that it gets boring saying it out loud? Like saying, “Hey, is it hot in here—or what?”
What truly pissed her off was that somehow Walter had instilled inside Amanda the same stupid, backward, self-defeating morals he had chosen as his own. A perspective that perverted reality, and would thwart them forever.
During April, when she didn’t return his voice mails or texts, Walter sent her CDs of Ella Fitzgerald singing Cole Porter and Johnny Hartman recording with John Coltrane. Old people’s music, except that she soared on the every sound, every time. He sent her Shakespeare’s sonnets and beautiful watercolors by a local artist.
In May, when she called, ready to thank him for such wonderful gifts, they started right in fighting. What she saw as ambivalence, he viewed as sensible respect. He would always love her, but they couldn’t deny their past. If they were to move their love into the sexual realm, that transfer demanded reverence. The immeasurable jump from father to daughter--to man to woman.
She sputtered at this. “How do you know what’s a jump and what’s not, since you’ve got us glued to the ground?” Walter just didn’t love her the way she loved him.
“Do you want me to move to Oak Park, Amanda? If you want me to marry you, just say so, and I will.”
“Walter, how many times have we gone over this? You won’t, and you can’t.” She snapped the phone shut.
Walter called back, saying—he would so move there; he would so marry her. He’d buy them a house for five, Walter, Amanda, and three children.
“It’s too late.” She hung up on him and refused to answer his calls. His god-awful patience and “sensible respect” ruined her disposition.
Six months pregnant, she called Walter again. And this time, before saying “Hello,” she picked up on his frustration.
“I love you without restrictions, Amanda. Just tell me what you want, and I’ll do it.”
“Nothing, Walter. I want nothing. I want you to do nothing.”
“Honey, please. Why are you so angry?”
Good question. She had no idea. But in a tumult of indignation, she drove straight to the hotel. Freddie was drunk, but what else was new. “Guess what?” she took his manicured hand. “The wedding’s on. Next Saturday. No matter what.”
(To be continued)
The rooms are glass, floor to ceiling. Altocumulus rows undulate around us. A Mogul for the Ages. (That’s him.) Master of the Religion Without Rules (That’s me.)
Stephanie and her new boyfriend Rafe, Maggie and her trumpet-playing boyfriend Lyle, Louie and his girlfriend, Demetria, Professors Llewlleyn and Smith, the people I knew, clamored for special attention, kisses and handholding. I noticed Carlos at the top of the staircase. He mouthed “home run” and shook a loosely formed wrist at waist level, a crude promise of a vulgar reward. Bitter disgust welled, bringing fresh tears. Please God, let me find the boy and get him out of here! I kept slogging through the whirlpool, past Shari and Sylvia, Franklin and Fletcher, various erstwhile customers, students, shopkeepers and construction workers, searching for him.
Telling him was so hard. She trembled and embarrassing tears dripped down her face and throat before she could get the words out. “I haven’t told the father. Freddie. I’ve only told you.”
Then Olivia phoned. Her mother was demanding Olivia come to the states for Christmas. Sterling hadn’t seen Olivia in two years. And Sterling and her second husband refused to travel. They couldn’t leave their horses. Or their boat.
Freddie Berger, the hotel manager, affected suave mannerisms possibly, Amanda thought, to match establishment’s 1920s period style. He greeted her with a slight bow, his dark curls falling over a narrow forehead. He pressed her hand within his warm, strong, well-manicured grasp. She pulled back, but his blue eyes assured her: his act was just for fun. His bespoke suit and expensive shoes and tie worked like props. His sly, ebullient grin, so mischievous, telegraphed that he delighted in nothing so much as relieving her—or anyone’s—distress. “Give me five, maybe ten minutes, to find the earring. Do you know the room number?”
Instead, I fluttered up there. Shuddered, staggered, raked my hands through my hair and mopped my face with my billowy sleeve. “Forget sexual denial,” I yelled, suddenly full of ire. “The nonsexual ideal is a lie! Banning sex leads not to enlightenment, not to purity, but to seething resentment and bitterest intolerance. Do not let the self-righteous and their festering superstitions oppress you!”
Ten days later and I am still indifferent to Carlos. In fact I am indifferent to everyone and -thing except: one hopelessly unrealistic hope. For ever since my sweet, quickening encounter with the beautiful boy Tyler, when he so innocently and sincerely asked, did I mind? (Did I mind if he and his friends smoked dope on my time?) I can think of nothing else! Every three seconds he’s back, the soul of concern, of sweetness, light, peace, joy and hope, swaying politely in front of me, Blunt in hand.
Yet, more anger surfaced than Amanda had experienced with either of her ex-husbands. And, Walter told her that he had never faced this much antagonism: not when his ex-wife Sterling ran off with another man; not when she took Olivia from him; not even in prison, where he had quietly withstood a vicious climate.
But not permanent. Amanda would never ride the bike straight into an oncoming car, for example. She wasn’t a fool. Having suffered periodic abandonment as a child, she’d never leave her girls motherless. She had devoted everything to them but for a few hours here or there, and she wasn’t going to toss that away, because of a temporary need, no matter how urgent, to be a terrible girl. A stupid punk girl Walter must punish. 


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